Skip to main content

Operator (2015) Dir. Caroline Bartleet


Operator (2015) Dir. Caroline Bartleet



Narrative:



The film is about a operator for the fire service, and follows her through a 999 call made by a mother who woke up to find a fire in her house and her child stuck up stairs.
The film is very intense throughout and is a glimpse into a side of the emergency services which are glanced over.




Structure:



It has a linear structure and follows the one phone call from start to finish. In the beginning there are some establishing shots of the call centre. You can argue that it could actually be a cyclic structure as at the end she answers another call and it start over again.




Representation:



The representation within this film is for the hidden faces of the emergency services, and brings light to how big a part they actually play in helping people in danger, by helping them to keep calm and instructing them what to do.


Micro Elements:



The film is relatively simple. The majority of the film is close ups of the operators face. There are also some establishing shots in the beginning and the camera uses pans.
There is a mixture of digetic (the call centre) and non-digetic sound (the phone call).




How will this influence my coursework?:

Using the opposite perspective from an event while still using the tension it creates.

Comments

Popular posts from this blog

Characters

Character They're exterior needs to clearly show their situation, values/personality, & other important things. Their interior needs to be shown through their surroundings and exterior to avoid excess exposition. When designing them you need to create a realistic and believable backstory and clearly understand how that has shaped their personality, values, situation. How do they react to events that cause excess of emotion in any direction? A character will react differently to things depending on their past experiences so they are important to have in mind when writing them, even if they are not necessarily needed for the film. A good idea of family, culture, and heritage also helps as this further shapes personality and identity.  Identity (or lack of) is key to a character. Everything that has happened, is happening, and will happen will change them. Where they've been, where they are, and where they'll go also forms them. They must be kept in mind...

Short film or Screenplay?

I’m going to write a screenplay for a short horror film. Currently I’m thinking of styling it like a found footage film, taking inspiration from ‘Digging up the Marrow’ which is favourite found footage film of mine. Although this is feature length, I’ve been looking at horror shorts on YouTube (mainly by CryptTV) with similar settings to see how the locations and stories have been adapted to fit the narrative of a short film. If I can find a location that suits what I want then I may make a short film but I think it will be unlikely so for the moment my plan is for a screenplay.